When you go to a concert, read a book, attend a poetry reading, take a trip to the theater or visit a museum, I like to think that you’re starting a conversation with an artist. They’ve created this outpouring of creativity to try to reach your heart, your mind, yes, even your soul. If they succeed, you’ve been moved and you want to share that experience with others.
That water-cooler moment when you share your thoughts about it transforms that passive experience of you taking something into a transformative experience where you can relive the joy or share that knowledge learned. It makes you feel good to share those feelings or to warn someone to skip a show that you know they’d find offensive or bland.
I’ve often compared writing about film as a process similar to discussing wine. You gain an understanding of films and wines by sampling many types and learning about the craft. You can discuss nuances and enjoy flavors and discern smells that might be missed by others. But still, you bring your own palate, your own experience to the table. My top pick of an Orin Swift Cellars Mercury Head wine or the Polish masterpiece, the film Cold War may strike you as overwhelming or pretentious. And what does my opinion matter to you?
A.O.Scott, one of the top film critics at the New York Times, wrote a marvelous piece about criticism, A Critic Reviews His Own Role. He argues that writing about culture is akin to news reporting though “inherently subjective.” “No reader will agree with a critic all the time, and no critic requires obedience or assent from readers. What we do hope for is trust*. We try to earn it through the quality of our writing and clarity of our thought, and by telling the truth. The truth, in this case, about what we thought about what we saw, read or heard.” (*my emphasis)
What critics hope to share is what moved us. We want you to be inspired and to seek out the gems that might not get the attention we feel they deserve. That’s why, though I enjoy “Best of” Lists, what I love are lists such as The Most Under-Appreciated Films of 2018 from Indiewire. When critics I respect, such as Mick LaSalle of the SF Chronicle, write rapturous reviews of films I’ve heard might be disasters ( “Vox Lux” review) or I read on Twitter that Kate Erbland and Tomris Laffly mention a film I should see on Netflix (Happy as Lazzaro), I make time to sit in front of a TV or seek out a film screening. Even though I don’t always agree with David Ehlrich, I crack up reading his reviews on Letterboxd. Manohla Dargis wrote an insightful piece on Barry Jenkins’ new film If Beale Street Could Talk and it makes me want to see the film again.
Whether you’re trying to save yourself money by not purchasing a ticket to an event that you’re not sure about — or looking for something exciting and fresh — find a critic writing reviews you can trust. Whether it’s in a paper, on a website, a blog or an Instagram post, you can start a conversation. It will lead you to an experience that’ll be worth your time and money. And who knows, it might enrich your soul.
Jill C. Brooke, https://